Hesitancy Is The Deadly Sin Of Art: PURGATORIO, Canto XXV, Lines 1 - 21

Dante the pilgrim, Virgil, and Statius begin the ever-quickening ascent to the final terrace of Mount Purgatory. As he climbs, the pilgrim has a question about the gluttons on the previous terrace . . . but it's really a question that's been brewing since almost the opening of COMEDY itself.

Join me, Mark Scarbrough, as we look at the opening lines of PURGATORIO, Canto XXV, a canto that was often treated as a scientific treatise in the late Middle Ages and early Renaissance but that is now too often dismissed as a medieval curiosity: Statius's wild discussion of embryology.

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Here are the segments for this episode of WALKING WITH DANTE:

[01:29] My English translation of the passage: PURGATORIO, Canto XXV, lines 1 - 21. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.

[03:33] PURGATORIO's Canto XXV is a bridge between gluttony and lust, as well as a bridge between two important discussions of poetry.

[07:04] We get a brief glimpse of Jerusalem as we hurry up the stairs.

[09:42] Is there symbolism or even allegory in the notion that the narrow stairs "unpairs" the travelers?

[11:48] The pilgrim is a baby stork--he wants to fly but still needs parental protection.

[15:30] The pilgrim Dante finally asks the central problem of corporeality that has troubled COMEDY almost since its beginning.

[18:43] Rereading the passage: PURGATORIO, Canto XXV, lines 1 - 21.