hBjcDQfnMguRXVnjTNgM Mark Scarbrough's WALKING WITH DANTE: Inferno, Canto VIII, Lines 7 - 30 - Walking With Dante

Episode 39

Dante Is The Poet Who Stands Between The Classical And Modern Worlds: Inferno, Canto VIII, Lines 7 - 30

Published on: 7th February, 2021

We're in the fifth circle of INFERNO. We may or may not be over a divide in the poem, over a break. Boccaccio thought so. Many modern scholars do. I hesitate, sort of do. A few don't see a break at all.

I'll give you some reasons why this may not be a break in the poem--and offer you some details on the curious knots in this longer passage among the wrathful.

Join me, Mark Scarbrough, as we walk slowly with the pilgrim Dante across the known universe--or here, set out across Styx in a boat. This is a curious passage, all about questions of interpretation and Dante-the-poet's position toward the material he cites in his own work.

And it's just fun, too. Because it's Dante. And hell. And the wrathful. And Virgil. Plus, it's a story. (That last, by the way, may be the most important point of all.)

Here are the segments of this episode:

[01:05] Here's the passage for this episode from INFERNO: Canto VIII, Lines 7 - 30. Actually, I'll back up and take it from the first line of the canto for a running start into these lines.

[02:35] Does the poem start in a new direction? Most thought so in the Renaissance. (Thank you, Boccaccio.) Most didn't think so later. Most now again think so. But here are some of the reasons my own interpretation--that in fact it does restart at Canto VIII--may be wrong.

[07:46] The scene opens with towers signaling each other. In other words, it opens with a question of interpretation in a scene analogous to a scene of reading.

[10:58] The little boat arrives! It seems important that it's "little," as opposed to Charon's big boat.

[12:21] Who is Phlegyas? Why is he here in the poem?

[14:04] Perhaps it's not a good idea to think about the poet Dante in terms of the Middle Ages and the Renaissance. Perhaps it's better to think of him in terms of the classical and the modern world.

[17:44] The problem of corporeality is solved! The boat sinks down under the weight of the pilgrim. But that solution brings with it more problems! And maybe it also exhibits a greater confidence on the part of this poet.

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About the Podcast

Walking With Dante
A passage-by-passage stroll through Dante’s DIVINE COMEDY with Mark Scarbrough
Ever wanted to read Dante's Divine Comedy? Come along with us! We're not lost in the scholarly weeds. (Mostly.) We're strolling through the greatest work (to date) of Western literature. Join me, Mark Scarbrough, as I take on this masterpiece passage by passage. I'll give you my rough English translation, show you some of the interpretive knots in the lines, let you in on the 700 years of commentary, and connect Dante's work to our modern world. The pilgrim comes awake in a dark wood, then walks across the known universe. New episodes every Sunday and Wednesday.
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Mark Scarbrough

Former lit professor, current cookbook writer, creator of two podcasts, writer of thirty-five (and counting) cookbooks, author of one memoir (coming soon!), married to a chef (my cookbook co-writer, Bruce Weinstein), and with him, the owner of two collies, all in a very rural spot in New England. My life's full and I'm up for more challenges!